vvaterblogged:

Derek Overfield
chrissyangliker:

Swimming Upstream. 22x 28 Inches on canvas. 2014
northmagneticpole:

Coral-Antony, The Cut exhibition at Sikkema Jenkins Co.
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: Mel Tow
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
setoshi-zombie:

Artist: 邦乔彦
jetztkunst:

OMMAHNAM JUNE PAIK19 INCH LCD MONITOR, SILK ROBE2005
sexhaver:

Bernard Tschumi, Advertisements for Architecture (1976-1977)
sexhaver:

Bernard Tschumi, Advertisements for Architecture (1976-1977)
sexhaver:

Bernard Tschumi, Advertisements for Architecture (1976-1977)
medverf:

Stefan Peters
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
nyctaeus:

Anya Gallaccio, ‘Red on Green’, 2012
Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the gallery floor and allowed them wilt and perish untouched. Red On Green is an aggressive gesture that holds a mirror to society’s concept of beauty and our displacement of nature.
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance
asylum-art:

Scott Naismith: Cumulus Consonance